Overview:
SONY FS7 Mark II
Expanding on the original Sony FS7, Sony’s PXW-FS7 M2 XDCAM Super 35 Camera System is a flexible 4K Sony camera system. Designed as a camera that is at home on productions as diverse as “Cinéma Vérité”-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The Sony FS7 MKII camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount on Sony FS7 MKii reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount on FS7 Mark 2 is ideal for using heavier-long cine-zooms without the need for additional lens support.
Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The SONY FS7 MKII camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.
SONY FS7 Mark II
The SONY FS7 MK II records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The SONY FS7 MKII camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera’s functions and features an adjustable length support arm.
Rental Rates
| $250.00 | For the 1st day |
|---|---|
| $250.00 | For a Weekend |
Technical info:
| Image Device | Super 35mm Single-Chip Exmor CMOS |
| Effective Picture Elements | 17:9 4096 (H) x 2160 (V) 16:9 3840 (H) x 2160 (V) |
| Signal-to-Noise Ratio | 57 dB (Y) |
| Sensitivity | 2000 lx, 89.9% reflectance T14 (3840 x 2160/23.98p mode 3200K) ISO Sensitivity |
| Minimum Illumination | 0.7 lux: +18 dB,23.98p,Shutter OFF,ND Clear, f/1.4 |
| Signal System | NTSC / PAL |
| Built-in Filters | Clear, 1/4, 1/16, 1/64 |
| LCD Monitor | 3.5″ / 8.8 cm Approx: 1.56M dots |
| Speaker | Monaural |
| Shutter Speed | 1/3 to 1/9000 of a sec |
| White Balance | Preset Memory A Memory B (1500K-50000K)/ATW |
| Gain Selection | -3, 0, 3, 6, 9, 12, 18 dB, AGC |
| Gamma Curve | STD HG User S-log3 |
| Shooting Formats | 4K 4096 x 2160 12-bit raw UHD 3840 x 2160 2K 2048 x 1080 HD 1920 x 1080 HD 1280 x 720 |
| Audio Recording Format | LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels) |
| Recording Formats | XAVC-I QFHD MPEG-4 H.264/AVC 59.94P CBG, bit rate 600 Mb/s 50P CBG, bit rate 500 Mb/s 29.97P CBG, bit rate 300 Mb/s 23.98P CBG, bit rate 240 Mb/s 25P CBG, bit rate 250 Mb/s XAVC-I HD MPEG-4 H.264/AVC XAVC-L QFHD MPEG-4 H.264/AVC XAVC-L HD 50 MPEG-4 H.264/AVC XAVC-L HD 35 MPEG-4 H.264/AVC XAVC-L HD 25 MPEG-4 H.264/AVC MPEG-2 Long GOP XAVC-I QFHD 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p XAVC-I HD XAVC-L QFHD 50 MPEG-2 Long GOP |
| Recording Frame Rate | XAVC-I QFHD 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p XAVC-I HD XAVC-L QFHD XAVC-L HD 50 XAVC-L 35 XAVC-L 25 MPEG-2 Long GOP MPEG HD422 |
| Slow & Quick Motion Function | XAVC-I mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p) XAVC-I mode 1920 x 1080: 1 to 180 frames (59.94p, 29.97p, 23.98p) XAVC-I mode 1920 x 1080: 1 to 150 frames (50p, 25p) XAVC-L mode 3840 x 2160: 1 to 60 frames (59.94p, 50p, 29.97p, 23.98p, 25p) XAVC-L mode 1920 x 1080: 1 to 120 frames (59.94p, 50p, 29.97p, 23.98p, 25p) |
| Maximum Recording Time | XAVC-I mode QFHD 59.94p When using QD-G128A (128 GB): Approx. 22 minutes When using QD-G64A (64 GB) Approx. 11 minutes XAVC-I mode QFHD 50p XAVC-I mode QFHD 29.97p XAVC-I mode QFHD 23.98p XAVC-I mode QFHD 25p XAVC-I mode HD 59.94p XAVC-I mode HD 50p XAVC-I mode HD 59.94i XAVC-I mode HD 50i XAVC-I mode HD 29.97p XAVC-I mode HD 23.98pM/b> XAVC-I mode HD 25p XAVC-L mode QFHD 59.94p/50p XAVC-L mode QFHD 29.97p/23.98p/25p XAVC-L 50 mode XAVC-L 35 mode XAVC-L 25 mode MPEG HD422 mode |
| Media Card Slots | 2 x XQD 1 x SD (for configuration data only) |
| Input and Output Connectors | Audio Input 2 x 3-pin XLR Line/mic/mic +48 Mic Reference: -40. -50. -60 dBu SDI Output HDMI 2.0 USB Headphone Remote |
| Accessory Shoe | Multi-Interface (MI) shoe |
| Power Requirement | 12 VDC |
| Power Consumption | Approx. 19 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device) |
| Battery Operating Time | BP-U30: Approx. 1 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device BP-U60: Approx. 2 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device BP-U90: Approx. 3 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device |
| Temperature | Operating: 32 to 104°F / 0 to 40°C Storage: -4 to 140°F / -4 to 140°C |
| Dimensions (WxHxD) | 6.14 x 9.41 x 9.72″ / 156 x 239 x 247 mm |
| Weight | 4.4 lb / 2.0 kg: Body Only 9.9 lb / 4.4 kg: Body, Viewfinder, Eyepiece, Grip Remote Control, BP-U30 Battery, SELP28135G Lens, an XQD Memory card |