Overview:
Package Comes with:
Arri Alexa Mini Body
- PL /EF Mount
- V mount Dual Charger
- -4x V mount Batteries -180Wh
- Camera Cage with Dovetail and Bridge Plate
- -3x 256 GB C Fast Cards with Reader
- WC A-Box Audio Distribution
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ARRI ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
Operate the ARRI ALEXA Mini via wireless remote control, using the MVF-1 viewfinder, or while viewing an onboard monitor. Its small size suits it for use with gimbals, handheld rigs, or quadcopters and for multicamera shots, and in tight quarters. The lens mount is interchangeable, opening up a wider choice of lenses such as EF-mount still lenses. The ARRI ALEXA Mini can make use of ARRI AMIRA mounts, a boon for shooters working with both units.
Image quality, formats, and workflow are identical to those offered by other ALEXA models, enabling you to produce matching images across cameras, including in anamorphic mode. Record ProRes or ARRIRAW to an internal CFast card or externally to a Codex recorder (not included). Up to four ALEXA Minis can record simultaneously to one Codex recorder. The Mini’s maximum frame rate of 200 fps (ProRes) enables you to avoid adding a separate camera for high-speed work.
The ALEXA Mini’s integrated lens motor control is a space-saving feature useful when using gyro-stabilized and other specialized rigs, eliminating the need for an external control box. Integrated Wi-Fi connectivity enables the use of iOS or Android devices for remote control. Remote control is also possible using the ARRI WCU-4 hand unit. The ALEXA Mini offers high-quality performance in underwater locations and other low-light settings.
Built-in, motorized ND filters let you quickly respond to ambient light changes; this internal design also frees up a slot in your matte box for another filter. The ARRI LDS (lens data system) function is also built into the ALEXA Mini, enabling your AC to quickly adjust to changing parameters displayed on a control unit during a shot.
Using the power and large pixels of the 4:3 ALEV III sensor, the ALEXA Mini records up to UHD 4K ProRes images with the dynamic range, skin tones, and true-to-life colors for which ARRI cameras are noted. Recording in Open Gate and MFX/ARRIRAW formats requires additional, downloadable licenses (not included). Looking ahead to future standards, the wide dynamic range of the ALEXA Mini makes it suitable for HDR displays, and its 0.75-200 fps speed range can be used for increasingly-popular HFR (high frame rate) capture modes.
Rental Rates
| $945.00 | For the 1st day |
|---|---|
| $1050.00 | For a Weekend |
ALEXA Mini License Options
ALEXA Mini 4:3 License Key
This license, enabled by ALEXA Mini SUP 4.0, provides three new ProRes recording modes that access the full 4:3 sensor area and support the use of anamorphic lenses. The first mode records the highest 4:3 resolution possible, while the other two de-squeeze and re-scale the recorded images in-camera for an efficient, specialized workflow. Monitoring paths for all 4:3 modes offer SDI setups featuring dual 1.5G or 3G outputs.
- ProRes 4:3 2.8K records the full 4:3 sensor area (2880 x 2160) and can be used with anamorphic or spherical lenses. It offers frame rates up to 50 fps and an optional 2x anamorphic de-squeeze for the EVF and SDI monitoring paths.
- ProRes 2.39:1 2K Ana. records a 2.39:1 standard 2K format (2048 x 858), which does not require any cropping or scaling in post. Due to the in-camera scaling the data rate is reduced, allowing recording speeds up to 120 fps.
- ProRes 16:9 HD Ana. is for situations where the look of anamorphic lenses is desired but the end product is full 16:9 HD without letterboxing. This mode also supports recording speeds up to 120 fps.
ALEXA Mini ARRIRAW License Key
The ARRIRAW License Key, also enabled by ALEXA Mini SUP 4.0, allows ARRIRAW to be recorded to the ALEXA Mini’s in-camera CFast 2.0 cards by wrapping the files in an MXF container. Like ARRIRAW, the new MXF/ARRIRAW format is uncompressed, unencrypted, and contains audio and metadata. Only the packing is different, so third-party ARRIRAW processing tools such as DaVinci Resolve and Baselight have to be updated with a new SDK, which ARRI has provided for them. ARRIRAW Converter supports MXF/ARRIRAW from version 3.4, available free of charge on the ARRI website.
MXF/ARRIRAW clips do not require specially formatted CFast cards, so MXF/ARRIRAW and QuickTime/ProRes clips can be mixed on the same card.
- MXF/ARRIRAW 16:9 2.8K records an area of 2880 x 1620 and supports frame rates up to 48 fps.
- Internal MXF/ARRIRAW Open Gate recording Installing both the ALEXA Mini 4:3 License Key and the ALEXA Mini ARRIRAW License Key on a camera activates the MXF/ARRIRAW Open Gate 3.4K recording modes enabled by SUP 4.0.
- MXF/ARRIRAW Open Gate 3.4K has a resolution of 3424 x 2202 and a maximum recording speed of 30 fps. As with the ProRes 4:3 recording modes, an optional 2x anamorphic de-squeeze is available for all monitoring paths and a dual 1.5G or 3G SDI setup is supported.
In order to offer anamorphic ProRes productions an easy way to capture some shots in MXF/ARRIRAW, three additional Open Gate 3.4K recording modes are being introduced:
- MXF/ARRIRAW 4:3 2.8K (OG 3.4K)
- MXF/ARRIRAW 2.39:1 2K Ana. (OG 3.4K)
- MXF/ARRIRAW 16:9 HD Ana. (OG 3.4K)
These modes record 3.4K Open Gate at up to 30 fps, but the monitoring paths reflect the corresponding 4:3 ProRes modes. The active image area is noted in the metadata, so postproduction tools will crop the images automatically. ARRIRAW Converter and other tools that support the new ARRIRAW SDK are able to override that information and return to the full Open Gate frame if required.
ARRI Look Library License Key for ALEXA Mini
This license, enabled by ALEXA Mini SUP 5.0, provides a look management tool for all ALEXA Mini models purchased prior to 1 May 2017, and is available in the ARRI License Shop. The following ALEXA Mini models will have a version included.
The ARRI Look Library offers 87 predefined creative color gradings, each in three intensities, for all kinds of productions. The looks are numbered within nine themed groups: Black-and-White, Application, Film, Tinted, Environment, Season, Contrast, Period, Special. All color shades are available in Rec709 and other color spaces through ARRI Media.
Visit the ARRI License Shop
Technical Info:
ProductALEXA MiniCamera type35 mm format film-style digital camera with lightweight and compact carbon body, switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangeable lens mounts and ARRI Lens Data System as well as Lens Data Archive.DimensionsLength: 185 mm/7.3″
Width: 125 mm/4.9″
Height: 140 mm/5.5″
(camera body with PL lens mount)
Click here for dimensional drawingsWeight~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)Sensor35 mm format ARRI ALEV III CMOS with Bayer pattern color filter arrayActive photo sites
(with surround view)S16 HD: 1600 x 900 (1760 x 980)
HD: 2880 x 1620 (3168 x 1772)
2K: 2868 x 1612 (3154 x 1764)
3.2K: 3200 x 1800 (3424 x 1926)
4K UHD: 3200 x 1800 (3424 x 1926)
4:3 2.8K: 2880 x 2160 (3168 x 2160)
2.39:1 2K Ana.: 2560 x 2145 (3424 x 2202)
HD Ana.: 1920 x 2160 (3424 x 2202)
Open Gate 3.4K: 3424 x 2202 (3424 x 2202)ShutterElectronic shutter, 5.0° to 356.0°Exposure latitude14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)Exposure indexEI 800 base sensitivityFiltersBuilt-in motorized ND filters 0.6, 1.2, 2.1Lens mountsTitanium PL mount with L-Bus connector and LDS
EF mount
PL mount with Hirose connector and LDS
B4 mount with Hirose connector(A)Recording mediaCFast 2.0 memory cardsRecording formatsProRes:
S16 HD: 1920 x 1080 (up-sampled from 1600 x 900)
HD: 1920 x 1080
2K Cine 16:9: 2048 x 1152
3.2K: 3200 x 1800
4K UHD: 3840 x 2160 (up-sampled from 3.2K)
4:3 2.8K: 2880 x 2160 (padded to 2944 x 2160)
Anamorphic ProRes formats with 2x in-camera de-squeeze:
HD Anamorphic: 1920 x 1080*
2.39:1 2K Anamorphic: 2048 x 858*
MXF/ARRIRAW (in-camera recording to MXF-wrapped ARRIRAW files):
2.8K 16:9: 2880 x 1620**
Open Gate: 3424 x 2202***
MXF/ARRIRAW Open Gate modes with active image area matching 4:3 ProRes modes:
4:3 2.8K (OG 3.4K): 2880 x 2160 (Recording in Open Gate 3.4K)***
2.39:1 Ana. (OG 3.4K): 2560 x 2145 (Recording in Open Gate 3.4K)***
16:9 HD Ana. (OG 3.4K): 1920 x 2160 (Recording in Open Gate 3.4K)***
*) requires ALEXA Mini 4:3 License Key,
**) requires ALEXA Mini ARRIRAW License Key,
***) requires both ALEXA Mini 4:3 and ARRIRAW Licenses Keys
Click here for a drawing with details about the recording areas, surround views and framelinesRecording codecProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), MXF/ARRIRAWRecording frame rates16:9
ProRes HD 0.75 – 200 fps
ProRes S16 HD 0.75 – 200 fps
ProRes 2K 0.75 – 200 fps
ProRes 3.2K 0.75 – 60 fps
ProRes UHD 0.75 – 60 fps
MFX/ARRIRAW 16:9 2.8K 0.75 – 48 fps
4:3
ProRes 4:3 2.8K 0.75 – 50 fps
6:5*
ProRes 2:39:1 2K Ana. 0.75 – 120 fps
8:9**
ProRes HD Ana. 0.75 – 120 fps
Open Gate
MFX/ARRIRAW 3.4K Open Gate 0.75 – 30 fps
* 4:3 cropped
** Center crop from anamorphic
(1) Minimum frame rate is always 0.75 fps
(2) The „recording resolution“ determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode)
Click here for a detailed table of frame ratesColor outputRec 709, custom look or Log CLook controlImport of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)Adjustable image parametersKnee, gamma, saturation, black gamma, saturation by hueFocus and exposure controlPeaking, zebra, false color, waveformWhite balanceManual and auto white balanceSound level< 20 dB(A) at standard frame ratesEnvironmental‘-20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing splash and dust-proof through sealed electronicsViewfinderMulti Viewfinder MVF-1 (OLED and LCD) with flip-out LCD screen and military-grade connector to camera Camera Control Panel (CCP-1) LCD control panel with option to daisy-chain MVF-1Control interfaceSoft buttons and OSD on SDI output, integration of Transvideo Starlite HD5-ARRI touch interface WCU-4 hand-unit with control over operational parameters.ARRI lens motor controlBuilt-in white coded radio interface for ARRI lens and camera remote control LBUS motor output for daisy-chainable cforce lens control motors Lens Data ArchiveWi-Fi remote controlBuilt-in Wi-Fi interface and web-based remote control from phones, tablets and laptopsCustom controlOptional GPIO interface for integration with custom control interfacesPower inputLemo 8-pin, 10.5-34 V DCVideo outputs2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio and metadata, 6G SDI in UHD and 3.2K recording modes.InputsSDI-Genlock (optional activation through ARRI Service), Timecode (in and output)Other interfacesUSB 2.0 (for user sets, looks etc.)
Ethernet for service and web remote control
EXT accessory interface w. RS pin and unregulated power output (outputs battery voltage)
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